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October 24, 2003
Teen With Congenital MD Wins
National Playwriting Award
by Christina Medvescek
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Amanda Harper (left)
and Bethany Andrews at the Kennedy Center in Washington in September.
Photo by Erin Dey for VSA Arts |
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“I write it all, honey!”
There’s no doubt about it, writing makes Amanda Harper, 18, very
happy. Although her tastes run mainly to fiction, she merrily ticks
off song lyrics and poems among her many loves.
There’s something about writing, she declares in a characteristic
rush, that’s “so relieving. When you write, it takes you
from the world to a different world. I create characters who are real
to me, you know them. They’re amazing tools — and teaching
tools too, if you do it in the right way. You never know when your writing
will affect others.”
Indeed, you really, truly never know.
For example, Amanda, of Chandler, Ariz., and her close friend and writing
buddy, Bethany Andrews, 18, of Tempe, Ariz., never imagined they’d
take second place in the national VSA Arts Playwright Discovery Award
competition for a play they were “forced” to write.
The Goal Was Graduation
“Get Ready to Walk and Roll” began life as a creative writing
assignment that Amanda needed in order to graduate with her class from
Corona del Sol High School in Tempe. Affected by congenital muscular
dystrophy, Amanda missed two months of her senior year due to chronic
severe back pain — “off the charts pain,” says her
mother, Merlie.
Pain and back surgery already had forced Amanda to spend the bulk of
her junior year at home. Finally, in January, she was able to return
to school for the final semester of her senior year, armed with heavy
painkillers and the “blessing” of only having to take three
classes.
Unfortunately, one of the classes was Mr. Brugger’s creative
writing class. Not that creative writing was a problem; far from it.
Amanda’s writings had been filling up a box on her mom’s
shelf since grade school, and she had won several writing awards, including
the Columbia Scholastic Press Association Gold Circle Award in 2001
for a personal essay titled “If Only My Legs Worked.”
The problem was that Dan Brugger insisted she write a play, not a short
story, and submit it to the contest sponsored by VSA Arts, an international
nonprofit that challenges middle and high school students of all abilities
to take an artistic look at how disability affects their lives. The
winning play would be performed at the John F. Kennedy Center for the
Performing Arts in Washington, and the second-place work would receive
a staged reading of excerpts.
Amanda freely admits she “whined and begged” to get out
of the assignment. She’d never written a play before, she protested,
and she preferred to write about a character’s thoughts. Mr. Brugger
held firm.
“I remember sitting next to his desk looking at the VSA brochure
and it said you could write with a partner. My ears perked up,”
she recounts. After the teacher agreed to let her collaborate on the
piece, “I went straight home and called Bethany and said, ‘You
have to help me graduate.’”
Hidden Disability
Bethany Andrews is another blessing in Amanda’s life. The girls
first met doing volunteer work at the Christian bookstore where their
mothers worked.
“When we found out we both loved to write, it just clicked in
and we started writing together,” says Amanda. “She would
spend the night at my house and the next day our moms would go, ‘What
story did you make up this time?’ We’ve written about 10
stories together, not including our own stories.”
Bethany also sports an impressive writing portfolio, including a play
that was produced by her high school. Together, she and Amanda are a
powerful team.
“We know our strengths,” Amanda explains. “I’m
the dialogue, she’s the describer. I think up a character, she
finds the name. It’s amazing how our minds work together. We can
be dangerous if we’re not careful! I love her, she loves me, she’s
one of my best friends — we click.”
Bethany had written about people with disabilities before meeting Amanda,
whose writing “trademark” is always to include at least
one character with a disability, even if disability isn’t the
theme of the piece. Both girls share a deep curiosity about the different
ways that “God made people,” and were interested in portraying
“hidden disability — something that isn’t out there
like a wheelchair.”
Amanda is very up-front about her disability. Congenital
muscular dystrophy manifests before the age of 2, causing muscle
weakness that progresses at varying rates. Amanda uses power and manual
wheelchairs, and part-time ventilatory assistance. She still has enough
upper body strength to self-transfer.
As a child, Amanda was MDA’s 1992 Washington State Goodwill Ambassador,
and 1997 Arizona State Ambassador. In high school she often gave talks
at “awareness” assemblies about living with disability.
“When I came out here, did you see me, or my chair?” she
would ask the crowd, unfazed by either answer. She notes matter-of-factly,
“It’s a learning experience to know someone in a wheelchair
and if they want to use me as a learning tool, go right ahead. I don’t
take offense at that.”
She adds that she, too, isn’t “immune” to curiosity
about other disabilities. “When I see someone with a disability,
I have the same reaction as everyone else. I wonder about it. And at
the same time, I wonder how they feel.”
Business Cards?
“Get Ready to Walk and Roll” was sent to VSA literally at
the very last moment, then promptly forgotten in the rush of graduation.
It tells the story of Haven, a high school girl who uses a wheelchair
and also provides a kind of haven for other students who need a listening
ear.
“Rule number 1 of writing is always ‘write what you know,’”
grins Amanda. A self-described “listener who can talk to anybody,”
she used to be called on by the resource teachers to help calm down
kids in the remedial classes.
In addition to Haven, “Walk and Roll” features Dominic,
a high school boy struggling with the hidden disability of depression.
Haven wants to go to the prom, but is convinced no one will ask her
because she can’t dance. The two help each other, and in the end
she and Dominic go to the prom together, with him declaring, “Get
ready to walk and roll!”
Amanda (who actually attended two proms) and Bethany were stunned to
get a call in July saying their script had been selected from more than
170 works for a staged reading at the Kennedy Center on Sept. 29. In
addition to the onstage production, their prize included $500 each and
a trip to Washington.
Hearing their work performed caused the girls to “kind of cringe
a couple of times, and go ‘we want to change that,’”
says Amanda. But public reaction was extremely positive, and several
people asked if they could produce the work at their own schools.
“A lot of people said it made them review what they think about
disabilities,” she said, adding that others asked for their autographs
or their business cards. “We’re like, ‘Cards? What
are cards?’”
The girls would love to have the play produced by high schools once
they’ve “fixed some things and added a little more.”
Future Plans
Having successfully graduated and added those feathers to their heavily
feathered caps, Bethany is working and attending Arizona State University
in Tempe. Amanda is at home “weighing my options” and banking
on another back surgery this fall to relieve her unremitting pain, which
makes it hard for her even to sit up. Meanwhile, the girls continue
to write together and separately.
“There are so many paths out there,” Amanda muses, adding
she’s sure writing will be a part of whatever she does. She’s
thought about teaching creative writing, but at the moment her plans
are simple: to “sleep in” and to “let God guide me
to the place where He wants me to be.”
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